NOVELISTICS OF MYKOLA KRAVCHUK
Journal Title: Проблеми сучасного літературознавства - Year 2019, Vol 0, Issue 28
Abstract
The article devotes to the research of the novelistics heritage of Mykola Kravchuk (1929–2009), examines the main formal and content components of artistic texts (topics and problems of works, text organization, figure of the storyteller and narrator, specifics of presentation, variation rate of narration, etc.). Novelistics can be divided into own artistic and autobiographical, although both combine the content moral and ethical core and mainly localized plane. Bright visualization of space allows the reader to overcome the distance and plunge into Tetiyivshchyna, get acquainted with the fellow villagers of the narrator, become an observer and witness. The narrator in one episode can open the whole world, reach a certain time slice, important for understanding the event or phenomenon, the mentality of the people for the ethnic group. The author violates urgent timeless issues that embrace the personal, social, national and human level. He emphasizes the uniqueness of a person, his responsibility, the importance of choosing, full life, often inferior to the routine existence through the masquerade masquerade and the rejection of faces, the inability to see and protect the main thing — the connection between the most native, the purity of nature, the understanding of the interdependence of the senses, thoughts, words and deeds, constant self-improvement. This paper finds up the unique symbolic symbolism, intertextual accents, the role of artistic pictorial-expressive means (parallelism, antithesis, comparison; autobiographical narration, aphorism, contrast, antithesis and parallelism, involving refrain, excursions and anticipation, details, images, symbols), illuminates the meaning of epigraphs and refraines. It outlines the phenomenon of creative heritage of the prose writer, distinguishing local certainty, autobiographical narration, gradation on the internal and external levels, metaphorization of being. The investigation reveals the writer’s worldview and features of the idiostyle.
Authors and Affiliations
Tetiana Tkachenko
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