Repertory for an orchestra at the 1st degree music school – on the example of selected pieces by Polish contemporary composers
Journal Title: "Konteksty Kształcenia Muzycznego" - Year 2015, Vol 2, Issue 1
Abstract
Teachers-conductors working with orchestras at 1st degree music schools are faced with numerous tasks of artistic, methodological, didactic and organizational nature. One of the most frequently recurring problems is a difficulty finding a suitable repertory, appropriate for the ensemble’s potential and maintaining at the same time a high artistic level. The Polish publishing market does not offer too many publications targeted at 1st-degree music school orchestras. The available ones do not meet, in general, real needs – ensembles very often have an unusual set-up, depending on e.g. the school’s educational offer. The article makes an attempt to find answers to the questions posed to the conductor of a school orchestra: How to select pieces for the performing body that one has at their disposal at the moment? Where to look for them? From where to draw inspirations for own artistic activities in that respect? The reflections, based on the observations of the conductor working with a children’s orchestra on a daily basis, will be backed with examples – selected pieces of Polish contemporary composers.
Authors and Affiliations
Anna Pawelec
In the labyrinth of interpretations – plastique animée in the context of an open work
Plastique animée is an artistic superstructure of the Emil Jaques-Dalcroze method and its key issue lies in musical expression of movement. In the process of developing a kinesthetic interpretation of a musical work, it...
Technology in the service of ear training at the Grażyna and Kiejstut Bacewicz Academy of Music in Łódź
Real progress made in the field of recording and sound synthesis technology in the 20th century has significantly changed the range of methodological solutions available to a music teacher. The article discusses the man...
Absolute pitch in the light of contemporary research
The subject matter of the article is a presentation of the research on absolute pitch, carried out over the last decade. The author discusses findings of the research on the origins of absolute pitch, relations between a...
Sprawozdanie z III Muzycznego Forum Młodych Artystów i Naukowców
Sprawozdanie z III Muzycznego Forum Młodych Artystów i Naukowców<br/><br/>
On disintegration of the Emil Jaques-Dalcroze method in the Polish music education system. Reflections on the role of Dalcroze’s solfeggio in a 1st-level music school
The method of Emil Jaques-Dalcroze’s eurhythmics combines the three integral, equivalent aspects: eurhythmics, solfeggio and improvisation, which complement each other and thus constitute a coherent, comprehensive and mu...