„Wolność kontrolowana” — o (nie)zależności tłumacza. Uwagi do polskiego przekładu powieści Petry Hůlovej Umělohmotný třípokoj
Journal Title: Przekłady Literatur Słowiańskich - Year 2015, Vol 6, Issue 1
Abstract
In the Polish culture of the late twentieth and early twenty‑first century, we see an increased interest in Czech literature and its translations, which are often an integral step in the distribution mechanisms of such works. This article aims at presenting for discussion the issue of translation as an interpretation and the question of faithfulness to the original text, as literary translation does not offer freedom. It exists between artistic freedom and the author’s intention, and it is a forced compromise between an unattainable ideal and practical necessity
Authors and Affiliations
Dorota Żygadło‑Czopnik
Bibliografia przekładów literatury polskiej w Bułgarii w 2014 roku
The bibliography of translations of Polish literature in Bulgaria in the year 2014.
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The body and corporeality is one of the key categories in modern European drama. It is also of tremendous significance for the interpretation and translation of the drama Odbrojavanje by the Croatian author Asja Srnec To...
Harmonia kakofonii, czyli co śpiewa Europa Środkowo-Wschodnia (o dialogu kultur w polskim przekładzie "Ministerstwa Bólu" Dubravki Ugrešić)
Translation relies on the recontextualisation and interpretation of the original text. Different cultural, linguistic and historical impacts determine the foundation of the translator’s interpretation. Translation enable...
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Analiza transferu archaizmów w słowackim tłumaczeniu Czerwonego błazna Aleksandra Błażejowskiego
The time span that divides the novel Czerwony Błazen (Red Clown) written by Aleksander Błażejowski, from the Slovak translation by Tomáš Horváth, is 89 years. The original version contains several archaic features on mul...