The article discusses the question of political implications of French feminist theories, also known as feminist avant-garde. Referring to the strategic re-reading of the concept French Feminism by Christine Delphy, it i...
This article reviews the various ways in which Julian Przyboś dealt with genre conventions in his poetry. He used old forms of prose poetry, reworked the convention of hymn, ode and sonnet, wrote lullabies and rhymes, an...
This article is the first attempt at the psychoanalytical interpretation of Flytrap Factory by Andrzej Bart. The author refers to such issues as Holocaust, postmodernism and culture of narcissism. Marta Tomczok compares...
Berhard Waldenfels claimed that at the turn of 18th and 19th century “the alien explicitly and definitely penetrated the heart of the reason and the heart of the one’s own” in Western culture. Since then we no longer liv...
EP ID EP181955
DOI -
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How To Cite
Michał Wróblewski (2016). _życie literackie w sieci. Pisarze, instytucje i odbiorcy
wobec przemian technologicznych. Zagadnienia Rodzajów Literackich, 59(2),
-. https://europub.co.uk./articles/-A-181955
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Awangardowe wyzwania teorii feministycznych
The article discusses the question of political implications of French feminist theories, also known as feminist avant-garde. Referring to the strategic re-reading of the concept French Feminism by Christine Delphy, it i...
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This article reviews the various ways in which Julian Przyboś dealt with genre conventions in his poetry. He used old forms of prose poetry, reworked the convention of hymn, ode and sonnet, wrote lullabies and rhymes, an...
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This article is the first attempt at the psychoanalytical interpretation of Flytrap Factory by Andrzej Bart. The author refers to such issues as Holocaust, postmodernism and culture of narcissism. Marta Tomczok compares...
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Berhard Waldenfels claimed that at the turn of 18th and 19th century “the alien explicitly and definitely penetrated the heart of the reason and the heart of the one’s own” in Western culture. Since then we no longer liv...